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“Master’s Touch” brand?
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1
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323
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December 20, 2022
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VIDEO:A Few Notes on Dust
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0
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312
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December 3, 2022
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You Down with Student Grade Paint? by Trevor Thomas
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0
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429
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January 28, 2022
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More Insights into Vermeer's Creative Process
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0
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349
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October 29, 2022
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Is There Really a Debate over Issues with Zinc White?
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0
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1269
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June 2, 2022
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Scanning and Photographing Artwork
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0
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2622
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December 30, 2019
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Medium Yellowing Test by Ben Sones
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15
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10588
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July 28, 2022
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Brushes: good sables?
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16
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2790
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July 10, 2022
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VIDEO: A Word on Medium and Low Resistance Brushes
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0
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454
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May 2, 2022
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Adhering Linen to a Panel
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0
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927
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February 5, 2022
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Ventilated Makeup Brush Holder for Drying Paint Brushes
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0
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431
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December 27, 2021
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Easel options: how to hold panels?
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17
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10172
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November 26, 2021
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Removing Mould Stains
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5
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507
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July 15, 2021
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Inkjet printing canvas... is it usable?
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2
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577
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June 13, 2021
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Rigid Supports Part I (MITRA)
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1
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625
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May 5, 2021
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Stylus option: The Pin Vise
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7
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1275
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April 19, 2021
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Rigid Supports Part II (MITRA)
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0
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1469
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April 13, 2021
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Voodoo Darkening - I think this is the core of the explanation
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2
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675
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March 23, 2021
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DSLR vs Mirrorless Discussion from Zoom
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0
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403
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March 3, 2021
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Paint Manufacturer lists of Munsell Notations
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1
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601
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February 3, 2021
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Dibond and Aluminium: A Simple question
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13
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1875
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January 28, 2021
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Very good article on Early European Preparatory Layers
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1
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396
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January 15, 2021
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French cleats, Belgian linen and gesso
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2
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483
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January 13, 2021
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Potential problems with working on Canvas (George O'Hanlon and Canadian Conservation Institute (CCI) )
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6
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1693
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January 16, 2020
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Liquin as a Final Coat/Varnish
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30
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13746
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November 19, 2020
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New Product Label On Liquitex Acrylic Gesso Bottle
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3
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544
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August 8, 2020
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Mixed Media, oil painting onto paper drawing
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2
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1303
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May 14, 2020
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RESOURCE:Cleaning and Tying Paintbrushes
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13
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2800
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April 18, 2020
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A Study of Titanium White Oil Paints (PW6) from Neilson Ferreira
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1
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973
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March 28, 2020
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MITRA - Grounds and Primers
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0
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939
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January 17, 2020
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